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Vivaldi's setting in E minor of the Psalm Lauda Jerusalem; which was probably written towards the end of his life; was one of the number of works that he supplied to the Ospedale della Pietà in 1739. It resembles the Beatus vir RV 598 in being conceived as a single; extremely long movement; but differs from it in employing a double choir and orchestra. The Lauda Jerusalem is a muscular; memorable work that shows Vivaldi's invention at the end of his career to be undimmed.
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