Features
If you're creating your first mix and don't know where to begin, or your mixes aren't as good as you'd like them to be, Audio Mixing Boot Camp is here to help. Built around a series of hands-on mixing exercises designed to show you how to listen and work like a pro, best-selling author Bobby Owsinski reveals the tips, tricks, and secrets to all the different facets of mixing, including instrument and vocal balance, panning, compression, EQ, reverb, delay, and making your mix as interesting as possible. You'll cut years off the time usually needed to become proficient in the art of mixing with this book, which is specifically designed to accelerate learning. See how the pros handle the critical balance between the bass and drums. Learn where, when, why, and how EQ should be used on virtually any instrument. Become proficient at using effects in just the right way for each particular mixing situation. And master the key to fat and punchy sounding mixes: compression. Audio Mixing Boot Camp also features an accompanying DVD-ROM filled with lessons, templates, and examples specifically developed to take your mixing chops to the next level.
PRODUCT INFORMATION | Publisher | Alfred Publishing |
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| Format | Book & DVD-ROM |
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| Category | Pro Audio Textbook |
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| Pages | 160 |
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| Shipping Weight | 1 lbs |
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| Alfred Publishing Item | 00-37741 |
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| Product Code | YL00-37741 |
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| UPC Code | 38081422787 |
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| ISBN 10 | 0739082396 |
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| EAN | 9780739082393 |
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Bobby Owsinski : Author
SONG LIST
Title: What Does an Amateur Mix Sound Like?
Title: What Are You Trying to Accomplish?
Title: Welcome to the Audio Mixing Bootcamp
Title: Visualize Your Mix
Title: Using the Equalizer
Title: Typical Reverb Parameters
Title: Typical Delay Parameters
Title: Types of Modulation
Title: Types of Meters
Title: Tremolo and Vibrato
Title: Tremolo / Vibrato
Title: Timing the Pre-Delay
Title: Timing the Delay to the Track
Title: Timing the Decay
Title: Timing a Reverb to the Track
Title: Threshold or Input
Title: The VU Meter
Title: The Vocals
Title: The Two-Reverb Quick-Setup Method
Title: The Three-Reverb Full-Setup Method
Title: The Three-Delay Full-Setup Method
Title: The Three Main Panning Areas
Title: The Single-Delay Quick-Setup Method
Title: The Side Chain
Title: The Peak Meter
Title: The Musical Elements of an Arrangement
Title: The Master Level Meters
Title: The Major Parameter Controls
Title: The Magic High-Pass Filter
Title: The Listening Environment
Title: The Haas Effect
Title: The Drums
Title: The Bass
Title: The 6 Elements of a Mix
Title: Take Notes
Title: Synthesizers
Title: Subtractive Equalization
Title: Stereo Instruments
Title: Stay Away from Hypercompression!
Title: Standing Waves
Title: Setting the Levels
Title: Setting the Compressor
Title: Set Up Your Effects
Title: Set Up Subgroups
Title: Reverb Setup
Title: Reverb Basics
Title: Reorder Your Tracks
Title: Ratio
Title: Putting the Performers in an Environment
Title: Pseudo-Stereo
Title: Prepping Yourself
Title: Prepping Your Mix
Title: PREFACE
Title: Power by Kanye West
Title: Play Something You Know
Title: Piano
Title: Phase Coherency
Title: Parameter Settings
Title: Parallel Compression
Title: Panning Vocals
Title: Panning the Drums
Title: Panning the Bass
Title: Panning Keyboards
Title: Panning Guitars
Title: Other Note Divisions
Title: Organ
Title: Modulation Setup
Title: Modulation on Vocals
Title: Modulation on Strings
Title: Modulation on Other Instruments
Title: Modulation on Keyboards
Title: Modulation on Instruments
Title: Modulation on Guitars
Title: Modulation Basics
Title: Mixing with Subgroups
Title: Mixing by Muting
Title: Mix-Bus Compressor Settings
Title: Mix-Bus Compression
Title: Mix Bus Levels
Title: Making a Mix Element Interesting
Title: Make Yourself Comfortable
Title: Make a Session File Copy
Title: Low Frequencies in the Center
Title: Loops
Title: Listening on Several Speaker Systems
Title: Listening in Mono
Title: Limiting
Title: Layering the Mix
Title: Keyboards
Title: Juggling Frequencies
Title: Insert Section Markers
Title: Insert Compressors and Limiters
Title: INDEX
Title: How to Listen
Title: How to Know When Your Mix Is Finished
Title: How Much Compression Do I Need?
Title: How Loud (or Soft) Should I Listen?
Title: How Long Should My Mix Take?
Title: Guitars
Title: Grenade by Bruno Mars
Title: GLOSSARY
Title: Gates
Title: Gain; Make-Up Gain or Output
Title: Gain Reduction Meter
Title: Flangers and Phasers
Title: Finding the Most Important Element
Title: Finding the Groove
Title: Exercise Pod -- What to Listen For
Title: Exercise Pod -- Visualize Your Mix
Title: Exercise Pod -- Using The De-esser
Title: Exercise Pod -- Using a Gate
Title: Exercise Pod -- Timing the Delay
Title: Exercise Pod -- Timing Reverb Pre-Delay
Title: Exercise Pod -- Timing Reverb Decay
Title: Exercise Pod -- The Evils of Hypercompression
Title: Exercise Pod -- The Elements of a Mix
Title: Exercise Pod -- Speaker Placement
Title: Exercise Pod -- Setting Up the Mix-Bus Compressor
Title: Exercise Pod -- Setting the Mix-Bus Levels
Title: Exercise Pod -- Pseudo-Stereo Panning
Title: Exercise Pod -- Prepping Yourself
Title: Exercise Pod -- Prepping Your Mix
Title: Exercise Pod -- Panning the Lead Vocals
Title: Exercise Pod -- Panning the Keyboards
Title: Exercise Pod -- Panning the Drums
Title: Exercise Pod -- Panning the Bass
Title: Exercise Pod -- Panning the Background Vocals
Title: Exercise Pod -- Panning Guitars
Title: Exercise Pod -- Modulation on Strings
Title: Exercise Pod -- Modulation on Lead Vocal
Title: Exercise Pod -- Modulation on Keyboards
Title: Exercise Pod -- Modulation on Guitars
Title: Exercise Pod -- Modulation on Drums
Title: Exercise Pod -- Modulation on Background Vocals
Title: Exercise Pod -- Mixing with Subgroups
Title: Exercise Pod -- Making an Element Interesting
Title: Exercise Pod -- Listening on Multiple Monitors
Title: Exercise Pod -- Listening Levels
Title: Exercise Pod -- Listening in Mono
Title: Exercise Pod -- Layering the Mix
Title: Exercise Pod -- Improving the Listening Environment
Title: Exercise Pod -- Identifying the Tall; Deep and Wide Dimensions
Title: Exercise Pod -- Identifying the Most Important Song Element
Title: Exercise Pod -- Identifying the Groove
Title: Exercise Pod -- Identifying Different Recording Techniques and Eras
Title: Exercise Pod -- Identifying Arrangement Elements
Title: Exercise Pod -- Finding the Most Important Element
Title: Exercise Pod -- Finding the Groove
Title: Exercise Pod -- Establishing the Groove
Title: Exercise Pod -- EQing the Vocal
Title: Exercise Pod -- EQing the String Section
Title: Exercise Pod -- EQing the Piano
Title: Exercise Pod -- EQing the Organ
Title: Exercise Pod -- EQing the Electric Guitar
Title: Exercise Pod -- EQing the Drums
Title: Exercise Pod -- EQing the Bass
Title: Exercise Pod -- EQing the Background Vocals
Title: Exercise Pod -- EQing the Acoustic Guitar
Title: Exercise Pod -- EQing Shakers and Triangle
Title: Exercise Pod -- EQing Horns
Title: Exercise Pod -- EQing Bongos and Congas
Title: Exercise Pod -- Emphasizing the Most Important Element
Title: Exercise Pod -- Compressing the Lead Vocal
Title: Exercise Pod -- Compressing the Drums
Title: Exercise Pod -- Compressing the Bass
Title: Exercise Pod -- Compressing the Acoustic Guitar
Title: Exercise Pod -- Compressing Loops
Title: Exercise Pod -- Compressing Keyboards
Title: Exercise Pod -- Compressing Electric Guitars
Title: Exercise Pod -- Checking the Drum Phase
Title: Exercise Pod -- Balancing the Lead and Background Vocals
Title: Exercise Pod -- Balancing the Keyboards
Title: Exercise Pod -- Balancing the Drums
Title: Exercise Pod -- Balancing the Bass and Drums
Title: Exercise Pod -- Balancing Loops
Title: Exercise Pod -- Balancing Guitars
Title: Exercise Pod -- Assigning the Drum Channels to a Subgroup
Title: Exercise Pod -- Am I Finished Yet?
Title: Exercise Pod -- Adding Reverb to the String Section
Title: Exercise Pod -- Adding Reverb to the Piano
Title: Exercise Pod -- Adding Reverb to the Organ
Title: Exercise Pod -- Adding Reverb to the Lead Vocal
Title: Exercise Pod -- Adding Reverb to the Guitar
Title: Exercise Pod -- Adding Reverb to the Drum Kit
Title: Exercise Pod -- Adding Reverb to the Bass
Title: Exercise Pod -- Adding Reverb to the Background Vocals
Title: Exercise Pod -- Adding Reverb to Synthesizers
Title: Exercise Pod -- Adding Reverb to Shakers and Triangles
Title: Exercise Pod -- Adding Reverb to Horns
Title: Exercise Pod -- Adding Reverb to Bongos and Congas
Title: Exercise Pod -- Adding Delay to the Vocals
Title: Exercise Pod -- Adding Delay to the Guitar
Title: Exercise Pod -- Adding Delay to the Drum Kit
Title: Exercise Pod -- Adding Delay to Keyboards
Title: Establishing the Groove
Title: Equalizing the Vocal
Title: Equalizing the Piano
Title: Equalizing the Organ
Title: Equalizing the Electric Guitar
Title: Equalizing the Drums
Title: Equalizing the Bass
Title: Equalizing the Acoustic Guitar
Title: Equalizing Strings
Title: Equalizing Percussion
Title: Equalizing Horns
Title: Equalization Basics
Title: EQing Various Instruments
Title: EQ Parameters
Title: Emphasizing the Most Important Elements
Title: Emphasizing the Most Important Element
Title: Emphasizing the Most Important Element
Title: Electric Piano
Title: Developing the Groove
Title: Developing the Groove
Title: Determining the Listening Position
Title: Delete Empty Tracks
Title: Delay Setup
Title: Delay Basics
Title: De-essers
Title: Deactivate and Hide Unused Tracks
Title: Correctly Label the Tracks
Title: Compressor Operation
Title: Compressor Controls
Title: Compression Basics
Title: Compression As an Effect
Title: Compressing Vocals
Title: Compressing the Various Instruments
Title: Compressing the Drums
Title: Compressing the Bass
Title: Compressing Other Instruments
Title: Compressing Loops
Title: Compressing Keyboards
Title: Compressing Guitars
Title: Color-Code the Tracks
Title: Chorus
Title: Checking the Drum Phase
Title: CHAPTER 9: ADDING DELAY
Title: CHAPTER 8: ADDING REVERB
Title: CHAPTER 7: USING THE EQ
Title: CHAPTER 6: COMPRESSION
Title: CHAPTER 5: PANNING
Title: CHAPTER 4: BALANCE
Title: CHAPTER 3: MIXING BASICS
Title: CHAPTER 2: SESSION SETUP
Title: CHAPTER 13: THE FINAL MIX
Title: CHAPTER 12: THE MASTER MIX
Title: CHAPTER 11: INTEREST
Title: CHAPTER 10: MODULATION EFFECTS
Title: CHAPTER 1: MONITORING
Title: Bypass or In
Title: Building the Mix
Title: Born This Way by Lady Gaga
Title: BIBLIOGRAPHY
Title: Basic Monitor Setup
Title: Basic Listening Technique
Title: Balances
Title: Background Vocals
Title: Automation
Title: Attack and Release
Title: Assigning the Drums to a Group or Subgroup
Title: Assign the Channels
Title: Arrange Your Tracks
Title: Adding Reverb to the Vocal
Title: Adding Reverb to the Drum Kit
Title: Adding Reverb to the Bass
Title: Adding Reverb to Strings
Title: Adding Reverb to Percussion
Title: Adding Reverb to Keyboards
Title: Adding Reverb to Instruments
Title: Adding Reverb to Horns
Title: Adding Reverb to Guitars
Title: Adding Delay to the Vocals
Title: Adding Delay to the Guitar
Title: Adding Delay to the Drum Kit
Title: Adding Delay to Other Instruments
Title: Adding Delay to Keyboards
Title: Adding Delay to Instruments
Title: Acoustic Quick Fixes
Title: A Description of the Audio Bands
Title: A Brief History
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