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Audio Recording Basic Training, The Hands-On Survival Manual for Musicians (Book & DVD-ROM), #YL00-38882 By Bobby Owsinski
Audio Recording Basic Training


 
Audio Recording Basic Training, The Hands-On Survival Manual for Musicians (Book & DVD-ROM), #YL00-38882 By Bobby Owsinski

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Audio Recording Basic Training, The Hands-On Survival Manual for Musicians (Book & DVD-ROM), #YL00-38882 : By Bobby Owsinski : Pro Audio Textbook : Book & DVD-ROM : Boot Camp : The Hands-On Survival Manual for Musicians
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If you're new to recording and don't know where to begin, or your recordings aren't as good as you'd like them to be, Audio Recording Basic Trainig is here to help. Built around a series of hands-on recording exercises designed to show you how to listen and work like a recording pro, best-selling author Bobby Owsinski reveals the tips, tricks, and secrets to all the different facets of recording---including miking a drum kit, recording vocals, and miking just about any electric or acoustic instrument. See how the pros handle setting up a headphone mix, build a rough mix, and use compression and equalization to make their recordings sing. Learn where, when, why, and how to mic virtually any instrument, and become proficient at finding the right place in the room to record. The book also features an accompanying DVD-ROM filled with lessons specifically developed to take your recording chops to the next level.

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PublisherAlfred Publishing
Format Book & DVD-ROM
Category Pro Audio Textbook
Pages160
Shipping Weight1   lbs
Alfred Publishing Item 00-38882
Product Code YL00-38882
UPC Code38081431901
ISBN 10 0739086006
EAN 9780739086001

Bobby Owsinski : Author


SONG LIST
Title:         You've Got to Hear Yourself

Title:         Why a Separate Mic Amp?

Title:         Where to Place the Players in the Room

Title:         Welcome to the Audio Recording Basic Training

Title:         Vocals in the Control Room

Title:         Vocal Doubling

Title:         Using the Equalizer

Title:         Using the EQ During Drum Tracking

Title:         Using the Compressor/Limiter During Drum Tracking

Title:         Using the Compressor

Title:         Using Compression

Title:         Using a Stereo Mic

Title:         Use the Big Part of the Studio

Title:         Typical Ribbon Microphone Applications

Title:         Typical Dynamic Microphone Applications

Title:         Typical Condenser Microphone Applications

Title:         Tweaking the Drum Sound

Title:         Tuning Tips and Tricks

Title:         Tom Tuning Tips

Title:         Threshold

Title:         The X/Y Configuration

Title:         The Vocals

Title:         The Tuning Technique

Title:         The Talkback Mic

Title:         The Subkick Mic

Title:         The Spaced Pair

Title:         The Signal Path

Title:         The Secret to Mic Placement

Title:         The Scratch Vocal
Title: The Ribbon Microphone
Title: The Recording Drummer
Title: The Quick Effects Setup
Title: The Principles of Equalization
Title: The ORTF Configuration
Title: The Microphone Preamplifier
Title: The Magic High-Pass Filter
Title: The Listening Environment
Title: The Keys to a Great Sounding Drum Kit
Title: The Headphone Mix
Title: The Dynamic Microphone
Title: The Drums
Title: The Condenser Microphone
Title: The Computer Interface
Title: The Click Track
Title: The Bass
Title: The Basic Track
Title: The Acoustic Preamp/DI
Title: The Acoustic Piano
Title: The 3 to 1 Principle
Title: Subtractive Equalization
Title: Stereo Accessories
Title: Standing Waves
Title: Sound Check
Title: Solo String Instruments
Title: Solo Sax
Title: Solo Brass Instruments
Title: Snare Tuning Tips
Title: Snare Drum Bottom Head Miking
Title: Shock Mounts
Title: Setup
Title: Setting Up the Mic Preamp
Title: Setting Up the Headphone Mix
Title: Setting the Recording Level
Title: Setting the Levels
Title: Ribbon Microphone Examples
Title: Ribbon Microphone Characteristics
Title: Recording Without Headphones
Title: Recording the Guitar Direct
Title: Recording the Acoustic Bass
Title: Recording Preparation
Title: Recording Lead Vocals
Title: Recording in the Control Room
Title: Recording Hand-Held Percussion
Title: Recording Electronic Keyboards
Title: Recording Drum Percussion
Title: Recording Background Vocals
Title: Recording Acoustic Instruments with Pickups
Title: Ratio
Title: Proximity Effect
Title: PREFACE
Title: Pop Filters
Title: Placement in the Room
Title: Phase Switch
Title: Phase Cancellation: The Sound Destroyer
Title: Phantom Power; 48V
Title: Personal Headphone Mixes
Title: Percussion
Title: Pattern Selector
Title: Panning the Drums
Title: Overhead Position Two
Title: Overdubs
Title: Other Acoustic Instruments
Title: Omnidirectional
Title: Miking the Toms
Title: Miking the Snare Drum
Title: Miking the Room
Title: Miking the Individual Drums
Title: Miking the High-Hat
Title: Miking the Cymbals
Title: Miking the Bass Drum
Title: Miking the Amplifier
Title: Microphone Types
Title: Microphone Technique 101
Title: Microphone Preamp Controls
Title: Microphone Directional Response
Title: Microphone Controls
Title: Microphone Accessories
Title: Metering
Title: Making the Click Cut Through the Mix
Title: Loops
Title: Limiting
Title: Limiting
Title: Leakage
Title: Lead Vocal Mic Placement
Title: Latency
Title: Kick Drum Tuning Tips
Title: Keyboards
Title: Instrument Input; Hi-Z; DI
Title: Input Pad; Pad; Attenuation
Title: Individual Drum Sound Check
Title: INDEX
Title: If It's Distorting
Title: Hyper-Cardioid
Title: How to Listen
Title: How Much Compression Do I Need?
Title: How Loud (or Soft) Should I Listen?
Title: Horns
Title: Horn Sections
Title: High-Pass or Rolloff Filter
Title: High-Pass Filter / Low-Cut Filter
Title: Headroom
Title: Guitars
Title: GLOSSARY
Title: Getting the Overall Drum Sound
Title: Getting the Best from a Singer
Title: Getting Sound into the Computer
Title: Gain; Make-up Gain; Output
Title: Gain; Level; Trim
Title: Gain Staging
Title: Gain Reduction Meter
Title: Frequency Band
Title: Finding the Right Placement in the Room
Title: Finding the Right Placement in the Room
Title: Figure Eight
Title: Fake Stereo
Title: Exercise Pod: What to Listen For
Title: Exercise Pod: Using the High-Pass Filter
Title: Exercise Pod: Using the Equalizer
Title: Exercise Pod: Tweaking the Drum Sound
Title: Exercise Pod: Tuning the Drums
Title: Exercise Pod: The Microphone
Title: Exercise Pod: Speaker Placement
Title: Exercise Pod: Setting Up the Mic Preamp
Title: Exercise Pod: Setting Up the Compressor
Title: Exercise Pod: Setting the Recording Levels
Title: Exercise Pod: Recording the Lead Vocal
Title: Exercise Pod: Recording the Electric Guitar
Title: Exercise Pod: Recording the Acoustic Guitar
Title: Exercise Pod: Recording in Stereo
Title: Exercise Pod: Recording Background Vocals
Title: Exercise Pod: Recording Acoustic Instruments
Title: Exercise Pod: Proper Gain Staging
Title: Exercise Pod: Overdubs
Title: Exercise Pod: Miking the Individual Drums
Title: Exercise Pod: Microphone Placement 101
Title: Exercise Pod: Improving the Listening Environment
Title: Exercise Pod: Finding the Right Placement in the Room
Title: Exercise Pod: Drum Sound Check
Title: Exercise Pod: Checking the Drum Phase
Title: Exercise Pod: Checking Phase
Title: Exercise Pod: Basic Tracks
Title: Exercise Pod: Balancing the Lead and Background Vocals
Title: Exercise Pod: Balancing the Keyboards
Title: Exercise Pod: Balancing the Drums
Title: Exercise Pod: Balancing the Bass and Drums
Title: Exercise Pod: Balancing Loops
Title: Exercise Pod: Balancing Guitars
Title: Equalizers
Title: Equalizer Setup
Title: Equalization Basics
Title: EQ Parameters
Title: Electronic Phase Cancellation Audio Recording Basic Training
Title: Electric Guitar Recording
Title: Electric Bass Recording
Title: Dynamic Microphone Examples
Title: Dynamic Microphone Characteristics
Title: Don't Forget to Record a Tuning Note
Title: Don't Forget to Record a Count-Off
Title: Direct Boxes
Title: Direct Box Types
Title: DI Setup
Title: Determining the Listening Position
Title: Description
Title: DAW Recording
Title: Cymbals Tips
Title: Consequences
Title: Condenser Microphone Examples
Title: Condenser Microphone Characteristics
Title: Compressors/Limiters
Title: Compressor/Limiter Setup
Title: Compressor Controls
Title: Compression Basics
Title: Combined with an Amp
Title: Choosing the Right Mic
Title: Choosing the Best Place in the Room
Title: Choosing a Preamp
Title: Checking the Drum Phase
Title: Checking the Drum Phase
Title: Checking Phase by Listening
Title: Checking Phase
Title: CHAPTER 9: RECORDING ACOUSTIC INSTRUMENTS
Title: CHAPTER 8: VOCAL MIKING TECHNIQUES
Title: CHAPTER 7: RECORDING GUITAR AND BASS
Title: CHAPTER 6: RECORDING THE DRUMS
Title: CHAPTER 5: MICROPHONE PLACEMENT BASICS
Title: CHAPTER 4: RECORDING BASICS
Title: CHAPTER 3: BASIC RECORDING GEAR
Title: CHAPTER 2: THE MICROPHONE
Title: CHAPTER 14: THE FINAL RECORDING
Title: CHAPTER 13: THE ROUGH MIX
Title: CHAPTER 12: THE RECORDING SESSION
Title: CHAPTER 11: RECORDING IN STEREO
Title: CHAPTER 10: RECORDING ELECTRONIC INSTRUMENTS
Title: CHAPTER 1: MONITORING
Title: Cardioid
Title: Bypass
Title: Building the Mix
Title: BIBLIOGRAPHY
Title: Basic Monitor Setup
Title: Basic Listening Technique
Title: Background Vocals
Title: Background Vocal Mic Placement
Title: Attack and Release
Title: Assigning the Drums to a Group or Subgroup
Title: Amplifier Emulators
Title: Acoustic Quick Fixes
Title: Acoustic Phase Cancellation
Title: Acoustic Instrument Mic Placement
Title: Acoustic Guitar Recording
Title: A Description of the Audio Bands
Title: -10 or -20dB Pad

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