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A rapt meditation on this sacramental medieval poem; composed to mark the 400th anniversary of the of St John Ogilvie at Glasgow Cross in 1615 in a performance by pupils from six local junior schools. Masterfully cast with young children in mind; the vocal material is expressive and diatonic throughout; with some optional divisi. The organ accompaniment is soft; with gentle manual clusters giving a punctuating effect in the outer sections; framing a central passage of sustained chordal texture. Momentary chromatic tension in the postlude is dispelled by a peaceful resolution.