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Mozart was neither a flautist nor a harpist; but his Double Concerto has become the best-known nusic for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján; following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as editorial suggestions; the lean and euphonious piano reduction was prepared by the experienced arranger Jan Philip Schulze. Our edition is the first to present the harp part in form of a performance score. This new volume completes Henle's series of up-to-date urtext editions of Mozart's surviving concertos and chamber music with flute.
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