The light pop beat is a nice addition to this setting of a traditional Latin text. Neither voicing is difficult to put together, and both are fun to sing. Includes some English text in the middle and a joyful descant at the end. Appropriate year-round.

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. . . Audio Example 1 . . .

	Gloria In Excelsis Deo (Choral Octavo) (2-Part) (Choir); Masterwork Arrangement; Sacred; #YL00-SV9915 By Franz Joseph Haydn / arr. Russell Robinson
	Gloria In Excelsis Deo (Choral Octavo) (3-Part (Opt. SATB)) (Choir); Sacred; #YL00-SVM01086 Words and music by Mary Donnelly and George L. O. Strid
	Gloria Patri; From Magnificat (Choral Octavo) (SATB) (Choir); Masterwork Arrangement; Sacred; #YL00-19227 Music by Antonio Vivaldi / arr. Patrick M. Liebergen
	Gloria Patri (Choral Octavo) (SATB Double Choir; a cappella) (Choir); Sacred; #YL00-22981 Music by Sally K. Albrecht
	Gloria Patri; From Lauda Jerusalem (Choral Octavo); Opt. Trumpet (SATB) (Choir); Masterwork Arrangement; Sacred; #YL00-SV9710 Music by Antonio Vivaldi / ed. and arr. Patrick M. Liebergen
	Gloria Patri; From Lauda Jerusalem (Choral Octavo); Opt. Trumpet (SAB) (Choir); Masterwork Arrangement; Sacred; #YL00-SV9711 Music by Antonio Vivaldi / ed. and arr. Patrick M. Liebergen
	Gloria Tibi (Choral Octavo) (3-Part) (Choir); Sacred; #YL00-27081 Words and music by Mary Donnelly and George L. O. Strid
	Gloria Tibi (Choral Octavo) (2-Part) (Choir); Sacred; #YL00-27082 Words and music by Mary Donnelly and George L. O. Strid