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Beethoven wrote his three Sonatas opp. 10 in 1795/98 and dedicated them to Countess von Browne-Camus. Compared with the Sonatas opp. 2; the composer takes another notable step forward with them; both with respect to piano technique as well as to the treatment of the sonata movement form. The opening movement of the first sonata presented here recalls Mozart's “Great” C minor K. 457. Perhaps his most emotional slow movement up to that time; the Adagio molto ends with an exuberant; assertive Prestissimo.