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As with the three sonatas that form opus 2; the trio of works forming opus 10; written between 1796 and 1798; offers a collection of three sonatas with entirely different characters. With its distinctive musical humor that middle sonata has a particular connection with the opus 2. This humor comes differently from unusual formal experiments with motivic-thematic elements that led a contemporary reviewer to reproach the master for being “a man of genius” on the one hand; but also for allowing himself too often the right to “wildly pile up his ideas.”
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